From the British coastline to the rooftops of Manhattan, Antony Gormley’s sculptures are recognised across the world.
The exhibition will explore Gormley’s wide-ranging use of organic, industrial and elemental materials over the years, including iron, steel, hand-beaten lead, seawater and clay. We will also bring to light rarely-seen early works from the 1970s and 1980s, some of which led to Gormley using his own body as a tool to create work, as well as a selection of his pocket sketchbooks and drawings.
Throughout a series of experiential installations, some brand-new, some remade for the RA’s galleries, we will invite visitors to slow down and become aware of their own bodies. Highlights include Clearing VII, an immersive ‘drawing in space’ made from kilometres of coiled, flexible metal, and Lost Horizon I, 24 life-size cast iron figures set at different orientations on the walls, floor and ceiling – challenging our perception of which way is up.
Perhaps best-known for his 200-tonne Angel of the North installation near Gateshead, and his project involving 24,000 members of the public for Trafalgar Square’s the Fourth Plinth, Antony Gormley is one of the UK’s most celebrated sculptors.
To book tickets to the exhibition click here: https://my.royalacademy.org.uk/events/antony-gormley?view=calendar&startDate=2019-10-1
Antony Gormley,Matrix III, 2019.
Installation view, ‘Antony Gormley’, Royal Academy of Arts, London, 21st September to 3rd December 2019.
Approximately 6 tonnes of 6 mm mild steel reinforcing mesh. 7.1 x 9.3 x 15.15 m. © the Artist. Photo: David Parry.