About James Earley

I was born in the UK, spent many years in France but I am now back living in the UK. I am a self taught artist and I paint those on the very edge of society. I want to use my art to help raise awareness of the issues in the world today, I want to help make the invisible visible and ultimately I want my art to scream. I am always looking to the long term as my ambition is to be a relevant and significant artist today and also in hundreds of years from now. I always had a passion for art, I knew this was my gift yet my career took me away from my passion. It was only in 2015 that I knew that I could no longer live a lie so I swapped a career in business for a profession as a full time artist, a job that in my heart I was always meant to do. My career as an artist has accelerated since 2015. In that time I was part of the prominent “Seven Artists Exhibition” at The Strand Gallery London. I have also been nominated by The Royal Society of Oil Painters, The Royal Society of Portrait Painters and I received a nomination for the 2015, 2016,2017 and 2020 BP award. I have had my work displayed in London, Madrid, Paris, New York and Amsterdam and I have been described as one the most relevant artists in the world today by the German Kunst Heute Art publication and the Contemporary Art Curator Magazine. In 2019 I was honoured to win the first prize at the prestigious London Biennale as well as the prestigious International Michelangelo prize for art. In 2020 I will represent the UK at the Florence and Norman Biennale. I have often been asked why I paint homeless people or people on an emotional knife edge. From a very early age I had always wanted to paint a homeless person, I do not know why, why would a young boy want to sketch a homeless person rather than a still life, a landscape or a portrait of someone that they know? I firmly believe there are some questions that you can not answer, sometimes your heart tells you something and you just have to follow it no matter where it takes you. This is how I feel. When I paint a still life or any other subject my heart is not there, there is no emotion yet when I paint a person that has the misfortune of constantly having to walk on a cliffs edge and whose emotions are stretched to the limit my heart beats faster, my emotions fight with the image, the image is the subject and it is me. I have been told by many to change subject matters to those that would look nice on someones wall. I do not want to. When someone purchases one of my paintings they are purchasing a bit of me, a canvas battleground of emotion. This is my calling. I have met some of the nicest and honest people on the streets, people who smile and laugh when their physical and emotional pain almost forbids them. If I can raise awareness of this issue through my art then I am a truly happy man as I have achieved what I was told to do.

Education: